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Opera and Drama in Eighteenth-Century London (English, Ian Woodfield | Woodfield Ian | Arthur Groos)
Cambridge University Press

Opera and Drama in Eighteenth-Century London (English, Ian Woodfield | Woodfield Ian | Arthur Groos)

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Specifications

PublisherCambridge University Press
LanguageEnglish
ISBN-139780521028837
ISBN-100521028833
AuthorIan Woodfield | Woodfield Ian | Arthur Groos

Product Description

About the Book

This book explores the cultural and commercial life of Italian opera in late eighteenth-century London. Through primary sources, many analyzed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a dispute between two of the most important managers of th…

ISBN: 9780521028837

Book Insights

What You'll Learn

  • ·In-depth exploration of topics covered in Opera and Drama in Eighteenth-Century London
  • ·Key concepts explained with clarity and practical examples
  • ·Insights valuable for anyone studying or working in Cambridge University Press

Who Should Read This

Beginners and newcomers to the subject, as well as curious general readers.

Key Highlights

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  • ·15-day hassle-free return policy

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Who is the author of Opera and Drama in Eighteenth-Century London?
Opera and Drama in Eighteenth-Century London is authored by Ian Woodfield | Woodfield Ian | Arthur Groos.
Who published Opera and Drama in Eighteenth-Century London?
Opera and Drama in Eighteenth-Century London is published by Cambridge University Press.
How many pages does Opera and Drama in Eighteenth-Century London have?
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At an average reading speed of 250 words per minute, reading Opera and Drama in Eighteenth-Century London takes a few hours to a few days depending on reading pace.
What is Opera and Drama in Eighteenth-Century London about?
About the Book This book explores the cultural and commercial life of Italian opera in late eighteenth-century London. Through primary sources, many analyzed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris ...
Is Opera and Drama in Eighteenth-Century London suitable for beginners?
Whether Opera and Drama in Eighteenth-Century London is suitable for beginners depends on your background in Cambridge University Press. Review the product description and specifications above for details on the target audience and difficulty level.
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